Daily Archives: June 11, 2018

Something fishy in Preseli…



‘I know we’re not in England but it doesn’t even feel like we’re in Britain!”

We were in Nevern churchyard in Pembrokeshire, Wales, on one of the Silent Eye’s Workshops…

And a familiar feeling was creeping over us…

The church and the ‘Stone Cross’ too seemed vaguely reminiscent of ‘something’ and we began to entertain the notion that we might have inadvertantly stumbled upon one of the treasures we had recently come across in our reading.

We were not destined to get to the mound at the back of the church, unfortunately, but we were near enough.

The garden walls of the houses which huddled around the local church were packed with quartz crystal, huge chunks of the stuff in some cases…


‘I made a mental note to look at the relationship between Pentre Ifan, Nevern church and Carningli Peak… The three locations appeared to form an equilateral triangle. .. I revisited each site and retook their co-ordinates. The triangle is astonishingly accurate and places the three sites in a geometrical relationship that cannot be accidental. Students of the Traditional Arts will know that the equilateral triangle is the basis for a vesica pisces. Within the intersecting circles of the vesica are two equilateral triangles arranged back to back in a diamond shape… Is there a second triangle south of the ‘Nevern Triangle’? It did not take long to confirm that there is a standing stone that completes the second equilateral triangle. Waun Mawn is a six feet high single stone… whose location matches perfectly the requirements for the apex of a second triangle. These two triangles, together, form the basis of a vesica pisces.’

Robin Heath – Bluestone Magic


Something fishy in Glastonbury…


‘It doesn’t feel like we’re in England. It feels like we’re in France or something.’

No idea why France in particular except, perhaps, that my memories of that country shimmer with light and heat, and the sun was beating down that day.

Such days, in an English summer, are still rare and may be that, to my mind, made the place suitably ‘other’?

How habitual it is to rationalise.

Almost second nature, as if one nature were not more than enough!

We were in Glastonbury for a symposium, a weekend of alternative lectures and radical thinking…

We ‘knew nothing’ of the vesica then even though we had read Michell’s ‘…View…’ some years before.

‘It’s like any book.

Some things stick.

Some things don’t.’

We knew, though, that we would be returning to Glastonbury and there was no rationalising that away.


‘In the landscape round Glastonbury Abbey can be found a clear exposition of the former practice of sacred geometry…

A circle with radius one furlong passes through the Old Market Cross, the Abbey fish pond and the town’s Catholic church and defines with its circumference the outer limits of St John’s church and the old Abbey house.

Another similar circle centred on the Catholic church encloses the church of St Benedict and also passes through the Market Cross and the fish pond.

The two parish churches, 1000 feet apart, are now placed symmetrically within the two circles. The centre of the vesica thus formed by these two circles falls on the Abbey Almonry, the centre of charity, and one of its sides can be seen to mark the building line of houses in Magdalene Street.

Thus, the town of Glastonbury lies below the interlinked circles of a vesica piscis, the basic figure of sacred geometry.’

John Michell – The View over Atlantis